The following selected portfolio is presented in reverse chronological order.
Medieval Memento, 2024
copper, brass, sterling silver, amethyst, watch glass 5.5” x 2.5” x 2.5” |
Medieval Memento (open view), 2024
copper, brass, sterling silver, amethyst, watch glass 5.5” x 2.5” x 2.5” |
This piece was created as a contribution to the MASSC Metals Challenge for the 2024 exhibition. This container piece was inspired by the medieval period and is an homage to the Gothic architecture of that time period. The trefoils featured on the outer rim and inside are references to perpetuity- representing past, present and future. This ancient emblem was prevalent in the medieval period and was often incorporated into religious cathedral design as a symbol of the trinity.
Conifer Cuff (side view), 2024
3" x 2" x .25" sterling silver, 24k gold, tourmalines |
Conifer Cuff (front view), 2024
3" x 2" x .25" sterling silver, 24k gold, tourmalines |
This bracelet and the following pieces below are part of a new series derived from and inspired by plant fossils. I chose to represent each separate fossil in 24k gold using a Korean technique called 'Keum Boo'. This involves fusing the gold image to the surface of the silver. Each image represents a distinct fossilized plant. The cast 'stones' were created from molds of small slate rocks in order to further capture the idea of a natural fossil.
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Fossil Torc Bracelet, 2024
2.75" x.75" x2.25" sterling silver, 18k gold, 24k gold, garnet |
Fern Fossil Bracelet, 2024
7.5" long
sterling silver, 24k gold, tourmaline
7.5" long
sterling silver, 24k gold, tourmaline
Fossil Sprig Necklace, 2024
1.5" x.5" x .25" sterling silver, 24k gold, spinel |
Fossil Branch Ring, 2024
size 7 sterling silver, 18k gold, 24k gold, tanzanite |
Wilderness, 2023
2.5" x2.5" x1.25" copper, sterling silver, brass, tanzanite, rose quartz |
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This bracelet was created for the Metals Challenge 2023 through the MASSC organization. I chose to incorporate marriage of metals in this double layer bracelet. I also enjoyed utilizing hinges on both sides of the construction. The composition is an 'origin of the cosmos' inspired motif.
Green Dot Necklace, 2023
18" chain/ 1.5" x 1.5" x .25" (pendant) sterling silver, 18k gold, moldavite, horse canyon agate |
I acquired this horse canyon agate from a stone cutter that I have known for many years. The image inside the stone reminds one of a landscape painting, reminiscent of mountains or sand dunes. However, there is one spot of green vegetation in the landscape, and I thought it appropriate to accentuate this with the inclusion of the moldavite stone that sits atop the bail. The back of the pendant is open, and lets ample light through since the stone is transparent. |
Pink Punctuation, 2023
18" chain sterling silver, 18k gold, apatite |
This necklace is a simple drape which features two gold handmade chains that accentuate the lovely pink of the apatite stone. The heavy silver chain contrasts nicely with the delicacy of the 18k gold wire. |
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These earrings were created as a further investigation into the use of gold solder as an inlay material. I decided to create contrast in the pair by using patina to accentuate both the gold linear pattern, and the green of the stones. |
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Dark Night Earrings, 2023
2.5" x .5" x .25"
sterling silver, 18k gold, chrome diopside
2.5" x .5" x .25"
sterling silver, 18k gold, chrome diopside
Tourmaline Dream, 2023
size 6 sterling silver, 18k gold, tourmaline |
Aerial View, 2023
size 7 sterling silver, 18k gold, tourmaline |
These two rings were inspired by rugged aerial landscapes. Several elements were assembled to create the compositions seen here. Both feature sparkling green tourmaline stones that are enhanced by the 18k gold features that surround them. |
I used gold solder inlay to create the 'drawings' on these two pieces. It was so interesting to see how the hard incised lines changed when the solder was filed away. The result was a soft linear drawing that acts as a compliment to the stones above or within the pieces. I liked the way the gold looked with the white as a background as well- instead of using patina this creates a softer contrast- although no less dramatic.
Golden Net Necklace, 2022
20" chain, 2" x .75" pendant sterling silver, 18k gold, tourmaline |
Golden Net Earrings, 2022
2" X .5" sterling silver, 18k gold, tourmalines |
These two pieces use marriage of metal to create a stark contrast between the 18k gold and silver. I liked the dramatic result achieved when oxidizing the sterling. The necklace is like a solid bar of silver and gold- very satisfying weight wise and simple in design. The earrings are a playful polkadot pattern that culminates with a stone setting of matching size at the bottom.
Stripe Necklace, 2022
20" chain, 1.5"x .25" pendant sterling silver, 17k gold, sapphire, tanzanite |
Polka Dots, 2022
1.5" x .75" sterling silver, 18k gold, spinel |
Tourmaline Circles, 2022
1"x 1" sterling silver, 18k gold, tourmalines |
I wanted to create a sense of balance and at the same time precariousness with the way I placed these stone settings inside their frames. |
These two pieces play with varying the way line can be used, and although they share the same material properties, the design of the works is vastly different. I was thinking about ways to showcase the stones, and how they could be framed using both gold and silver elements.
Garnet Suitcase, 2022
18" chain, .5" x .25" pendant sterling silver, 18k gold, garnet |
Garnet Triangles, 2022
1.5" x 1" sterling silver, 18k gold, garnets |
These rings are a part of a new series that uses many different types of stones, 18k gold and silver in combination, and heavily textured surfaces. I feel like these pieces are playful in their design, and showcase the stones in different ways. I like to play with texture and the way the stones are set in each piece.
Slash Ring, 2022
size 7.5 sterling silver, 18k gold, tourmaline |
Faceted Ring, 2022
size 7 sterling silver, 18k gold, tourmaline, sapphire |
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This bracelet was made using many lines of both silver and gold. It was a challenge to construct this piece as I wanted it to be fluid in its movement- this was achieved by using steel cable running through the wires and connecting at both ends. The green tourmaline cluster in the center creates a colorful organic break from all of the vertical elements. |
Linear Bracelet, 2021
8" long
sterling silver, 18k gold, steel, tourmalines, brass
8" long
sterling silver, 18k gold, steel, tourmalines, brass
Linear Earrings, 2021
1.5" x 1" sterling silver (oxidized), 18k gold |
These earrings are made in the same way and correspond with the bracelet above. I like the way the intense stacking of the lines repeats throughout. This is interspersed with elements of 18k gold wire and sheet to bring some color to the otherwise monochromatic piece. |
Constellation Earrings, 2021
2" x 1.5" sterling silver, 18k gold |
These earrings are a companion piece to the bracelet below. The wires with rings connecting them allow for lots of movement when the pieces are worn, and allow for a dynamic and ever changing piece of body adornment. |
Constellation Bracelet, 2021
8" long sterling silver, 18k gold, tourmalines |
This piece belongs to a jewelry series that explores linear structures and how they can be arranged and linked so that they flow and move with the contours of the body. For this particular piece, I was thinking about the spaces between stars, and how if one were to connect them with lines, a web-like structure would emerge, and could then become wearable. Gold dots are sprinkled atop the silver lines, and tourmaline stones are used to punctuate certain interior spaces. |
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This ring utilizes wire in a different way than the rest of the pieces in this series. I thought it would create a rich and dramatic texture to cover a silver band in vertical wires that travel around the finger- set off with the centerpiece of a long tourmaline bar cut stone. The piece also has small 18k gold granules around the setting with the gold color playing off the green of the stone. |
Tourmaline Ring, 2021
size 7.25
sterling silver, 18k gold, tourmaline
size 7.25
sterling silver, 18k gold, tourmaline
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This necklace developed slowly and was designed as I was building it, since I had an idea of what I wanted to achieve, but did not know if it would work out well until I could put the physical elements together. Because of the connecting rings, this piece changes constantly as the wearer moves around in it. |
Tourmaline Necklace, 2021
18" chain
sterling silver, 18k gold, tourmalines
18" chain
sterling silver, 18k gold, tourmalines
After I created the chain for the garnet landscape necklace, I wanted to explore more ways of using thin wire in conjunction with connecting jump rings to create more complex forms and constructions. These earrings are the beginning of this exploration, which I have continued in the pieces pictured above.
Sapphire Triangles, 2021
2.5" x 1.5" oxidized sterling silver, sapphires |
White Pyramids, 2021
2" x 1.25" sterling silver |
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This is another piece in the 'wrapped' series where I have created a small wearable landscape inside of this oval dish form. It makes me think of the desert because of the starkness of the plane and the scarcity of things growing there. |
Garnet Landscape, 2020
2.75" x 1.5"
sterling silver, 18k gold, pyrope garnet
2.75" x 1.5"
sterling silver, 18k gold, pyrope garnet
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This brooch uses the same idea of a landscape represented, but is an arial view instead of seen from the ground. I like the relationship between the objects and textures here- they begin to put together a narrative- like items saved or collected. Almost like a 3-dimensional collage. |
Wrapped Brooch, 2020
3" x 1.5"
sterling silver, 18k gold, fire agate
3" x 1.5"
sterling silver, 18k gold, fire agate
Long Wraps, 2020
2"x .75" sterling silver, 18k gold |
Sapphire Wraps, 2020
1.5"x 1" sterling silver, 18k gold, blue sapphires |
These are some of the first pieces I made in the 'wrapped' series. For this work, I am using very thin sheet metal to wrap around wire forms, and in some cases, metal sheet. I like the way the silver wrinkles in the open areas, and wraps cleanly around the metal planes. |
I have been experimenting with various ways to create visual contrast in my work. Often times I will add color and dimension with stones, but I also use different metals to achieve this effect. The technique used here is from Korea- called Keum Boo. It's the process of fusing gold to the surface of silver through a heating and burnishing process. It can be used to create wonderfully rich surfaces.
Rings, 2020
size 7, 7.5 sterling silver, garnet, iolite, 24k gold |
Amethyst Ring, 2020
size 6.75 sterling silver, 24k gold, amethyst |
Keum Boo Earrings, 2020
1"x 1.25" sterling silver, 24k gold |
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I made this ring to coordinate with the necklace shown below. It is formed to flare at both ends, with the textured strip wrapping around it, almost like the ring is getting squeezed by the strip. A sapphire is set on top in 18k gold. |
Sapphire Ring, 2020
size 7
oxidized sterling silver, 18k gold, sapphire
size 7
oxidized sterling silver, 18k gold, sapphire
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I began using textured thin bezel material in some of my jewelry work, and thought it might work as a way to make chain. These elements are individually formed into teardrop shapes and then linked together with sapphire stone settings interspersed throughout the necklace. The thinness of the material and the way it is constructed remind me of the paper chains that I made as a child. |
Sapphire Chain Necklace, 2020
18" chain length
oxidized sterling silver, 18k gold, sapphires
18" chain length
oxidized sterling silver, 18k gold, sapphires
This is the first piece in a series I am working on with another artist. It is like a conversation through objects- in other words, I made a piece, and then he makes something in response etc. This object is also an expression of the freedom one feels when they have transformed out of an old way of being into something new.
Freedom In Transformation, 2019
12"x 10.5"x 4" sterling silver, mahogany wood |
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These earrings are part of my continuing organic material series. I was experimenting with the different ways of casting and incorporating these elements with stones and other fabricated parts.
Cone Drops, 2019
1.5"x .5"x .5" sterling silver, 18k gold |
Oval Pines, 2019
2"x .5"x .25" sterling silver, 18k gold, chrome diopside |
Green Pools, 2019
2.5"x .5"x .5" sterling silver, 18k gold, chrome diopside |
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This is one of the first 'landscape' pieces that I have made recently. I like the compositional interaction between the elements on the flat plane. |
Pinecone Landscape Necklace, 2019
1.5"x.75"x .75" (pendant)
sterling silver, 18k gold, moldavite
1.5"x.75"x .75" (pendant)
sterling silver, 18k gold, moldavite
This is another necklace in the second pinecone series. The hanging pinecone swings freely to give the piece some movement like it would have if a breeze should come along.
Tree Branch Necklace, 2019
4"x 1.5"x .75" (pendant) sterling silver, 18k gold, tiger iron, garnet |
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This necklace is from the second series of pinecone creations. There are so many ways to use the cast organic material in differing contexts and constructions. I feel like this series will continue and evolve over time- as it already has begun to with the few pieces I have made so far. |
Sapphire Twig Necklace, 2019
3"x 1.5"x .75" (pendant)
sterling silver, 18k gold, sapphire
3"x 1.5"x .75" (pendant)
sterling silver, 18k gold, sapphire
I have been experimenting with casting all types of organic materials in addition to the pine cones. These two pair of hoops feature cast twigs and pine needles. I have used these in many different ways- I love the texture of the wood and the pine needles in conjunction with the smooth silver constructions.
Framed Twigs, 2019
1.5"x 1.5" sterling silver |
Pine Hoops, 2019
1"x 1" sterling silver, 18k gold |
This is the first cast pinecone series I created. I used pinecones collected from a trip to Paris, and then cast them into silver. I used stones, bimetal, and other wireforms to complete the compositions. I really like the texture and feel of the cones when made into metal. They take on a elegant quality when in silver- the color and weight is the opposite of the original object.
Moon Over the Pines, 2018
2.5"x .5" x.5" sterling silver, 22k bimetal, 18k, rhodochrosite garnet |
Tendril Earrings, 2018
1.5"x .5"x .5" sterling silver, 18k, yellow sapphire |
Winter Pinecones, 2018
.5"x .5"x.5" sterling silver |
Pinecone Tendril Necklace, 2018
18" chain, pendant: 1"x .5"x.5" sterling silver, 18k |
Pinecone Torc #2, 2018
10"x 10"x .5" sterling silver, 18k |
Twig Earrings, 2018
3"x .5"x .5" sterling silver, 18k |
Fluid Brooch, 2018
4" x 2" x 1.25" sterling silver, mahogany wood |
This brooch is a sample of the type of material and forms that will be used in a sculptural object I am now making. The main body of the piece is hollow formed, which allows for a larger sized object that isn't very heavy. The fluid lines of the piece made me think of a watercourse, so I carved a drop of wood that dangles on the end when worn. |
These two torcs both utilize bog wood for the terminals on the end of the necklaces. Bog wood is ancient wood- anywhere from hundreds to thousands of years old. It is found buried in marshes and bogs- hence the name. I got a log of this wood from an artist in Ireland a few years ago and thought it would be appropriate to use in terms of the theme and format of these pieces.
Celtic Calligraphy, 2018
5"x 5"x 3/4" sterling silver, copper, bog wood |
The Drowned Wood, 2018
6"x 5.5"x 3/4" sterling silver, bog wood |
This is the first torc necklace in this series. Previously I used the flanged format adopted from ancient Celtic torcs, but I used those twisted elements in earrings and necklaces that were not in this specific format. I thought I would expand the collection to include contemporary versions of these ancient necklace forms.
Pinecone Torc, 2018
9"x 9"x 1" sterling silver, 14k gold |
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I made this bracelet as a part of the flanged torc series. Instead of twisted elements, I have used tapered tendrils of wire and flat undulating grass-like forms reminiscent of sea plants encompassing the bracelet form.
Sea Cuff, 2017
2"x 3.5"x 2.5" sterling silver, 18k gold, yellow sapphire |
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This piece was made at the end of the flanged torc series. I was thinking about Ireland and the ancient forms that had inspired my earring series and necklaces, and decided that a larger piece was needed to show the incredible grace and mystery of the Atlantic coast- all of the sea life and grass moving in the wind on the shore. This is why when I install the piece to be shown, I include sand in the installation- as if the bowl just floated through the seas and onto shore.
Borne, 2017
6.5"x 10"x 6.5" sterling silver |
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These two pieces were made as a response to the earring series below. I wanted to incorporate larger stones and thought the necklace format would allow me to play with the flanged elements in a more dramatic fashion.
Purple Flight, 2017
12"x 6"x .5" sterling silver, amethyst, sugalite stone |
Blue Anchor, 2016
10" x 6" x .5" sterling silver, 22k bi metal, London blue topaz |
This earring series was inspired by the flanged torcs made and worn by ancient Celtic people. I used the twisted forms in a variety of ways in conjunction with many different stones that reminded me of the natural beauty and the wildness found all over Ireland.
Evergreen, 2016
3.5"x .5" x 3/8" sterling silver, blue/ green sapphire |
Forest Pool, 2016
2.5"x 3/8" x 3/8" sterling silver, green quartz |
Interlace, 2016
2.5"x 1/4" x 1/4" sterling silver, 22k bi metal |
Stone, 2016
1.5"x 3/8" x 3/8" sterling silver, 14k gold, citrine |
Lake Reeds, 2016
1.5"x .5" x 3/8" sterling silver, peridot |
Meadow, 2016
3"x 3/8" x 3/8" sterling silver, green tourmaline |
Dew Drops, 2016
2.5"x .5" x .5" sterling silver, blue sapphire |
Wild Atlantic, 2016
3"x .5" x.5" sterling silver, pearls |
The main body of this piece is hollow formed from sheets of copper and patinaed to give the piece a rich color. I was thinking about two beings coming together and that which is produced between them in this relation. Perhaps like a 3 dimensional representation of the harmony created by the two 'horn' forms.
Gift, 2015
9"x 8.5" x 1.5" copper, sterling silver, patina |
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Double Resonance, 2015
7.5"x 3.5" x 1" copper, sterling silver, patina |
This piece was a sample necklace form I made to see how the 'horns' would look using this particular starting pattern. I also wanted to try different patinas before moving to create the necklace above. The form suggests two horns sounding out a melody- hence the silver wires that emerge from the tips of each end. |
This piece was inspired by a time period of great change in my life, so I wanted to express a transformation- beginning with a simple shape, the elements gain in complexity and size as they travel from right to left. The piece is an endless circle- there is no clasp and therefore no beginning or ending point- suggesting that change and transformation is a continuing part of life itself. All of the padauk wood elements are hand pierced with a jewelers saw.
Becoming, 2015
12"x 12"x 1/4" sterling silver, padauk wood |
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Paint Brooches, 2015
3"x 2"x 1"/ 3.5"x 2.5" x .5"/ 3" x 2"x .5" copper, latex paint |
I was making some forms out of thin copper sheet in order to play with different ways they could be cut, folded and assembled. I wanted to use some color in these pieces and I happened to have several cans of old latex house paint lying around. I ended up dipping and painting them- building up coats and watching the old paint bubble and separate from the underlayers. I think of these pieces as patina tests- perhaps to be used on another piece in the future. |
Storm Cloud, 2014
3.5"x 1.5"x .5" nickel, ceramic (made by John Chwekun), sterling silver |
This piece was made represent a storm with rain pouring down from a thunder cloud. I used chain for the movement of the rain, now falling down and swinging on the garment of the wearer. |
Lime Tuck #1, 2014
2"x 1.5"x 1.5" foam, gesso, sterling silver, steel |
Lime Tuck #2, 2014
2.5"x 2"x 2" foam, gesso, sterling silver, steel |
Lime Tuck #3, 2014
2"x 2"x 1.5" foam, gesso, sterling silver, steel |
I began these pieces as a material experiment to see how the foam would look when soaked in gesso, letting just a bit of the original green color show through. the addition of the silver balls in the folds of the foam ended up resembling body piercings, which was unintentional yet interesting. |
Woodpile Matrix #2, 2013
3.5"x 2.5"x 1.5" sterling silver, wood, model paint |
Woodpile Matrix #1, 2013
4" x 2" x 1.25" sterling silver, wood, model paint |
Distilled, 2013
4.5"x 2.5"x 1", copper, sterling silver, wood, concrete |
These brooches are about deconstruction and constrcution-specifically of buildings. I was thinking of how to represent the wood piles left after the building has come down, or maybe the piles of wood and other materials waiting to be made into some new structure. paint, concrete, wood and metal are used in these pieces to represent this concept. |
Melting, 2012
5.5"x 2"x .5" copper, wood, sterling silver, powder coat |
Crystalizing, 2012
3"x 2.5"x 1.25" copper, wood, sterling silver, powder coat |
Smoking, 2012
4"x 2.5"x 1" copper, wood, sterling silver, powder coat |
For these brooches, I took three simple shapes to being with: circle, square, and oval. The extensions that expand from the corners of each shape represent three ways those simple shapes could transform- melting, crystallizing, and smoking. The wire constructions on top of the base pieces represent these actions as form. |
Bleeding Earrings, 2012
2.5"x 1" x 3/8" sterling silver, 14k gold |
Crystalizing Earrings, 2012
3"x 1.5"x 1" sterling silver, 14k gold |
Smoking Earrings, 2012
3"x 1.5" x 1.5" sterling silver, 14k gold |
I made this series of earrings as companion pieces to the brooch series above. I love building open forms with wire, and these earrings use just enough lines to create the idea of a complete form. |
The pieces below were an evolution of the mineral pieces made in 2009 & 2010. I have been using wood in conjunction with metal in many of the series I have made- it always seems to find its way into my work again and again. I wanted to add some small details onto both the cast and the fabricated stone settings. Instead of using small granules, I made some cubes that were either cast or sledded into place to emulate the look of something natural growing around the edges of the work.
Geometric Earrings, 2011
.5"x 1"x .5" sterling silver |
Clean Geometry, 2011
3/4"x 1"x 1" sterling silver |
Spike Ring, 2011
1.5"x 1"x 1" sterling silver |
Open Ring, 2011
1.25"x 1" x 3/8" sterling silver |
Top Heavy Ring, 2011
1.5" x 1" x 1" sterling silver |
Square Earrings, 2011
1"x .75"x 3/8" sterling silver, yellow heart wood |
Triangular Earrings, 2011
1.5"x .5" x 3/8" sterling silver, yellow heart wood |
Oval Earrings, 2011
1.5"x .5" x 3/8" sterling silver, yellow heart wood |
These are just a few of the pieces I made in 2010- experimenting again with a combination of found objects, wood and teflon. I often find myself encountering periods of time when I begin to try out many different forms, materials and formats- almost like a purging of ideas before the next body of work begins.
Jen Brooch, 2010
3" x 2" x .5" nickel, sterling silver (found object) |
Helen Charm, 2010
3" x 1"x 1" sterling silver, wood |
Teflon Clouds, 2010
20" steel cable; 2.5" x 3" x 1" (pendant) |
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Nesting Cups, 2010
2"x 4.5"x 2.5" sterling silver, 14k gold |
I decided to create these cups as a continuation of the mineral and crystal forms body of work. They are made to be displayed together, one with the crystals acting as the feet of the piece and holding it up and the other having crystals protruding off the side and being framed by the smaller cup. |
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I have always been fascinated with crystals, stones, and mineral specimens. These two brooches show both the silhouettes of each particular specimen, and their three-dimensional crystal formations. I liked the contrast of the forms growing out of the flat shapes, and how they are composed like a three-dimensional drawing. |
Epidote, 2009
2" x 2.5" x .5" sterling silver, 14k gold |
Sal Ammoniac, 2009
1"x 3" x 1.25" sterling silver, 14k gold |
Window, 2009
3"x 2" x 3/8" sterling silver, 14k gold |
Gold Drop, 2009
1.5" x 2.5" x 3/8" sterling silver, 14k gold |
When I began making these brooches, I was interested in creating hollow constructed forms that would include an interior space the viewer could be drawn into. The top face of each of these uses etched metal patterns that are reminiscent of architectural or grid structures, which led me to open the spaces like windows on the top of each piece. |
Marshmallow Rings, 2008
1.5" x 1" x 1" un-cast ring waxes, plastic |
These pieces are made from vintage ring waxes. The waxes were so delicate and brittle that instead of casting them into metal, I decided to coat them with liquid plastic and paint. The coats of plastic and paint built up and up until I achieved these soft and mysterious looking rings. All of the previous details are softened and obscured making one wonder what the original forms looked like. These rings now reside in the teaching collection of the Museum of Contemporary Craft in Portland, Oregon. |
This work was a continuation of the shadow work begun at Cranbrook. These three series of objects are a body of work completed during my residency at Oregon College of Art & Craft. I began with a form (cylinder, hexagon, parallelogram) and then created each successive object from the shadow it created when light was shown on the form, also making them three-dimensional versions of the flat shapes. Like reaching back into the shadow to find the forms hidden there.
Shadow Generations: Parallelogram, 2005
24"x 8" x 3.5" copper, graphite patina |
Shadow Generations: Cylinder, 2005
18"x 5"x 1.5" copper, graphite patina |
Shadow Generations: Hexagon, 2005
20" x 6"x 2.5" copper, graphite patina |
All of the shadow jewelry shown above was made in my final year of graduate school at Cranbrook Art Academy. I was experimenting with the shapes that appear when light illuminates jewelry forms. I made the initial form (ring, bracelet) and then made the shadows out of steel and attached them to the original form to create an object with its shadow as a part of the piece.
Shadow Pearls, 2004
10.5"x 10.5" x 1/16" copper, patina |
Shadow Rings: Moments, 2004
1-2.5" x .5" x .5" steel, sterling silver, 14k gold |
Shadow Rings (on model)
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Shadow Brooches, 2004
3" x 2.5"x 1" steel, sterling silver |
Shadow Brooches (on model)
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Shadow Bracelet, 2004
6" x 5" x 3" steel, sterling silver |
Shadow Bracelet (on model)
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